Think all T-shirts are created equal? “It used to be that T-shirts
were just underwear,” says David Stacks, a promotional consultant.
“Now, my two sons wear T-shirts as part of their public school
uniforms. They risk their principal’s wrath if they wear anything
else.”
Stacks notes that today’s Ts are specifically designed to fit
consumers’ varying needs. In other words, a T that’s made for a
building subcontractor’s summertime outdoor workwear is made from
a lighter-weight fabric than the T made for a skier who layers his
clothing when dressing for the slopes, but they’re both still
considered T-shirts.
Your counselor can help you sort through all the price points and
permutations of weight, construction, color and style when selecting
T-shirts for a promotion or other purpose. For example: “It’s
important to consider the softness of the hand, quality of the
stitching, richness of the color and overall weight of the shirt,”
explains counselor Mike Reed.
Weight Watching
T-shirt weights range from the very light (5.3 ounces) to a more
standard (5.5) on up to the perceived value of a heavier (6.1 or
even 7.1) shirt. The weight that’s best suited for your promotion
depends on several factors:
- Use (Is the shirt for warm or cool
weather?)
- Geography (Will it be worn in the
hot, humid South or chilly, dry North?)
- Budget (Large or small?)
- Wear and tear (Will it be worn by
weekend brunchers or an athletic team?)
Promotional consultant Mary Bostwick
has found that many companies are leaning toward heavier shirts,
with, 6.1-ounce cotton leading the way. And a heavier weight does
have its advantages; it’s considered more durable and will hold
its shape and substance under repeated wearings and washings. On the
other hand, lighter-weight fabrics make a T-shirt vastly more
comfortable and provides a much cleaner fit, so you really need to
do your homework before selecting the shirt that’s right for you.
Fabric Fundamentals
Fabric content affects the feel of a T-shirt. Traditionally, the
choice in T-shirts was between all cotton and a 50/50
polyester/cotton blend. “Cotton Ts are usually associated with
sports because they hold up well and keep their shape through dozens
of washings,” Stacks explains. “And [they’re] comparatively
simple to decorate by screenprinting, embroidery or heat
transfer.” Also, there’s the perception that “all cotton” is
somehow more desirable, driven by its prevalence at retail.
Although many find them somewhat less comfortable, poly/cotton
blends have long been popular with schools, etc. because of their
durability and stain/fade resistance. They’ve also generally been
available in more colors than cotton, though this, too, is changing.
If you want to use a compressed T-shirt, where the shirt is molded
into various shapes and shrink-wrapped, 100% cotton is the only
choice. “After compression, the wrinkles would never come out of a
poly/cotton T-shirt,” explains promotional consultant Brad White,
who notes that most compressed Ts are made of either 5.5- or 6-ounce
cotton, imprinted with a special ink that cannot be damaged in the
compression process. Shirts can be compressed into shapes ranging
from light bulbs to soda cans to cars. Once opened and washed, the
shirts expand to a standard size and the wrinkles come out.
There’s also a distinction in pure cotton shirts. For instance, 30
single-needle yarn – in contrast to the more common 18
single-needle yarn – offers more threads per yarn, producing a
finer, softer feel and touch. “The vast majority of T-shirts are
made with open-end cotton, which offers an excellent value for the
price-sensitive customer,” says Hanes marketing director Mike
Reed, adding, “the softness of ring-spun cotton, especially after
wash, is unbeatable.”
But T-shirt fabrics go beyond cotton and poly blends. Many Ts are
now specially fabricated to meet the demands of active lifestyles.
There’s a shirt available that’s made from DuPont Coolmax Alta,
a high-performance polyester microfiber that quickly wicks moisture
away from the body.
Hanes went a step further last year with its introduction of the
Beefy Silver tee, woven of a patent-pending blend of cotton and
Nativa rayon. The result is softness, improved drape, luster and a
sophisticated color palette, all meant to satisfy demand for a
casual staple with a higher-end appeal.
Construction Concerns
Just as fabric affects the quality and wearability of a shirt, so
does how it’s made. “There are technical differences between Ts
made for sports and casualwear,” notes Stacks. “The Coolmax T,
for example, has set-in sleeves so there’s no seam or stitching
across the shoulders. It also has double-needle topstitching and
resists odor and mildew.”
Higher-end Ts will likely have the added strength of double-needle
stitching and shoulder-to-shoulder taping. They may also be
quarter-turned, meaning the fabric tube that creates the body of the
shirt was turned one-quarter of the way around before it was cut in
the manufacturing process. This eliminates a crease down the front
of the shirt, which can interfere with imprinting.
Style, Style, Style
Of course, most recipients of a T-shirt will ultimately be most
concerned with how it looks – not a bad thing, considering the
wide selection that’s available.
“[People] want more personality in a T-shirt, not a boxy, unisex
garment,” says Jennifer Adams, marketing coordinator for one of
the major manufacturers. They want age-specific designs and looks,
too. Demo-graphics are shifting, and more styles are appearing that
appeal to the nearly 140 million Americans under age 35.
What styles? Adams says the 2x1 tank is hot for women. “They’re
like the typical men’s undershirt tank, but designed to fit a
lady. Another hot item is the cap-sleeve baseball raglan, a twist on
the traditional long-sleeve raglan.”
Still, demand for the basic T-shirt remains strong, according to
Bostwick. And there’s also a strong interest in classics, such as
ringer and baseball Ts. “For the kids, oversized and baggy are
still the trends, as well as piping and stripes,” she says.
“Ribs are becoming more and more important, along with overdyed
heathers.” Another trend: pigment-dyed Ts, which fade slightly,
giving them a vintage look.
Just like every other promotional apparel product, T-shirts have
gone from unisex to different sex-specific cuts. “Men still want
the comfortable, loose fit; women are looking more and more to
form-fitting jersey and rib-knits,” says Bostwick.
“A woman’s shirt needs to be designed with the curves of the
female form in mind,” notes Adams. “Shoulders should be smaller,
armholes should be fitted, the waist should taper into a soft V. The
fabric doesn’t need to be bulky, heavyweight jersey. Different
styles should be considered, too. Boatneck shirts can be very
appealing for corporatewear; scoops or U-necks can also provide a
flattering fit.”
Imprinting
When it comes to imprinting, do something that will get noticed,
says Adams. “[There are] a lot of cool decorating techniques.
Metallic screenprints or appliqués like tiny rhinestones or beads
can really jazz up a T-shirt. If you approach the imprint with the
vision that the shirt is a walking billboard to advertise your firm,
you can be more open to nontraditional ideas.”
Your counselor can suggest all sorts of designs. Talk to her about
the options that will take “your” T-shirt from basic to
eye-catching. These days, even the most traditional “T” can
become surprisingly noticeable with the right decoration. Maybe even
enough to make your recipients thinking that they don’t quite know
T-shirts, either.
Tonia Cook Kimbrough is a contributing editor of Imprint.
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